视频简介
少年高若飞是一个弃婴，12年前被年过花甲的老高捡回了家，并对他照顾得无微不至，若飞却从来没叫过老高一声“爸爸”。在遭遇了一场车祸后，若飞失去了他的跑步天赋。班主任陈老师是若飞心目中的“蝴蝶女神”，她鼓励若飞参加学校亲子运动会，若飞坚决拒绝，还将“蝴蝶女神”胸前的标志物蝴蝶胸针偷回了家，被老高发现后带着蝴蝶胸针离家出走，来到当年老高捡他的地方，祈祷自己能找到真正的爸爸。奇迹发生了：若飞穿越到了很久以前，并且那里有一场全国运动会正在盛大召开。 若飞被选手独龙身上特有的气息吸引，紧紧追随独龙。飞行员是独龙长久以来的梦想，在比赛中遇到了从美国回来的富家公子杰森意气风发，对即将参加的国术比赛志在必得。独龙和杰森成为整个运动会的焦点，也成为场外一场巨大赌局的核心。独龙和杰森终于迎来了他们的决战。两个性情不同、背景各异的男人在赛台上展开搏击，两人互相了解，又势均力敌、各有千秋，使得这场决斗充满悬念。独龙和杰森，这对曾经的敌人、相互欣赏的对手，谁将取得最后的胜利，成为真正的英雄？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。