视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。描述2016年年仅9岁的玛雅·柯瓦斯基 (Maya Kowalski) 被送进约翰霍普金斯医院,接下来发生的一切,无论是她或她的家长都始料未及… 医疗团队开始针对她身上的罕见疾病追根究柢,焦点却逐渐转移到这家人身上,质疑起他们的亲情。院方忽然通知他们玛雅交由州政府监护,不顾家长心急如焚,只想带女儿出院回家。柯瓦斯基一家如今将现身说法,亲口述说故事,彻底翻转你对这桩儿童医疗案件的看法。。詹妮科与朋友们去挪威中南部优兹黑姆山滑雪,结果遭遇变态杀人狂,朋友惨遭杀害,而詹妮科在一番搏斗之后将杀人狂推入冰缝,艰难逃生,最终被人搭救。在当地的奥塔医院中,她向警方诉说了惨剧的经过。警方迅速展开搜索,很快发现杀人狂以及遇难者的尸体,并将尸体运回奥塔医院暂时保存。然而杀人狂的命竟如此刚硬,他渐渐苏醒过来,旋即展开了大屠杀,医院瞬间变成人间地狱。再次逃生的詹尼科决心重入雪山,彻底除掉这个恐怖无情的杀人魔王……。
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